Theatre & Dance Faculty
Shirley
Huston-Findley - Associate Professor of Theatre
(330) 263-2543 / sfindley@wooster.edu
B.A. Indiana University at South Bend, 1986; M.A. Miami University,
1989; Ph.D. University of Missouri, 1998.
Shirley Huston-Findley, Associate Professor of Theatre and Dance and
current chair, received her B.A. from Indiana University at South Bend
(1986), her M.A. from Miami University of Ohio (1989), and her Ph.D.
from the University of Missouri (1998). She teaches a wide variety
of courses, including Origins of Western Drama, Realism and Beyond,
Feminism and Theatre and Writing for the Stage and Screen.
Her research focus on intergenerational theatre has lead to the development
of her newest play, In Memory of Me, a First-Year Seminar
on creativity and aging, as well as her leadership of the Time Slips
Storytelling Project in Wooster.
Directing credits at the College include, Anna Deveare Smith’s Twilight:
Los Angeles, 1992; Paula Vogel’s How I Learned to
Drive; Marsha Norman’s Getting Out; Moliere’s Tartuffe,
Arthur Miller’s All My Son’s, and Adam Rapp’s Nocturne,
which received a performance at the Kennedy Center American College
Theatre Festival in Washington, D.C. in April 2007.
Shirley has presented papers at the Southeastern Theatre Conference,
The Mid-American Theatre Conference and the Association for Theatre
in Higher Education. Her article, Re-visioningThe Rainmaker,
co-authored with Dr. Suzanne Burgoyne, can be found in Text and
Performance Quarterly, and we can anticipate the publication of
her anthology Footpaths and Bridges: Voices from the Native American
Women Playwrights Archive to be released soon by The University
of Michigan Press.
Mark Kobak - James N. Wise Visiting Assistant Professor of
Theatre
(330) 263-2561 / mkobak@wooster.edu
B.A. Baldwin-Wallace 1991; M.F.A. Missouri, Kansas City 1996.
Mark Kobak is the James N. Wise Assistant Professor of Theatre at
the College of Wooster. A scenic designer by trade, Kobak received
his B.A. from Baldwin-Wallace College (1991) and his M.F.A. from University
of Missouri—Kansas City (1996).
Kobak has designed more than 90 sets for dance, theatre, and opera
companies around the country since 1991. Assignments include sets for
the Emerald city Opera, Sorg/Whitewater Opera Company, the Southwestern
College in Kansas, the Miniature Theater of Chester in Massachusetts,
and the Berea Summer Theater and Baldwin Wallace Conservatory. In Cleveland,
he has created scenic designs for outreach touring productions presented
by The Great Lakes Theater Festival; for Crossroads Dancing and The
Mai at Dobama Theatre.
Kobak also served as designer in residence at Lyric Opera Cleveland,
the Cleveland Institute of Music, and the Cleveland Opera. He has completed
four seasons as designer in residence at the Cleveland Institute of
Music and served as the Director of Theatre Arts for Bay View Music
Festival, a summer music conservatory in northern Michigan.
Dale
E. Seeds - Professor of Theatre
(330) 263-2027 / dseeds@wooster.edu
B.S. Bowling Green, 1971; M.A., Ph.D. Kent State, 1975, 1990.
Dale E. Seeds is a professor of theatre, set designer, and currently
chair of the Film Studies Curriculum Committee at The College of Wooster,
where he joined the faculty in 1984. He specializes in scenic and lighting
design. He also focuses on the performance traditions of indigenous
peoples, particularly those of Alaskan natives.
Seeds’ credits include more than 175 productions of theatre,
dance, and opera – most notably The Ohio Light Opera Company,
the Abbey Theatre of Dublin (Ireland), The University of Alaska Fairbanks,
and the Eastman School of Music. He has been published in Drama
Review and Melus, and served as contributing author and editor for Reinventing
Traditional Alaskan Native Perfromance by Thomas Riccio.
A member of the United States Institute for Theatre Technology, Seeds
received the Ohio Valley Section’s Award for Excellence in Scenic
Design for his production of Brian Friel’s “Translations.”
At Wooster, he teaches courses in theatre technology, text and performance,
lighting design, scene design, indigneous film, and Native American
performance.
Kim
Tritt - Professor of Theatre
(330) 263-2027 or 263-2540 / ktritt@wooster.edu
B.F.A., M.A. Ohio University, 1975, 1983.
Kimberly Tritt, professor of theatre as well as department chair,
has been a member of the faculty at The College of Wooster since 1983.
She is an authority on choreography, dance history, and world dance.
A graduate of Ohio University, where she received her B.F.A. (1975)
and her M.A. (1983), Tritt's expertise lies in modern dance, ballet,
and movement for actors. She is a choreographer and performer in Wooster
dance concerts and the department of theatre.
A member of the Congress of Research in Dance, Tritt is also on the
Advisory Board for OhioDance, a statewide organization that promotes
dance and movement arts, and the Advisory Board for the GLCA New York
Arts Program.
Prior to coming to Wooster, Tritt attended Bennington College for
choreography and was a dance instructor for one year at Ohio University
as a graduate assistant. She also taught dance at the Moving Space
Studio in Berkeley, Calif., for four years and was a performing member
of Moving Space Dance Company. In addition, she taught dance at the
University of Maryland for one year.
Ansley
Valentine - Associate Professor of Theatre
(330) 263-2028 / avalentine@wooster.edu
B.A., Wabash College, 1990; M.F.A., Indiana University, 2000.
Ansley R. Valentine is an associate professor of theatre at The College
of Wooster, where he joined the faculty in 2000. An actor, director,
designer, arts administrator and teacher, he has worked in many venues
across the country, including The Cleveland Play House, the Detroit
Symphony Orchestra, and Karamu House. His expertise lies in directing
and the theatrical uses of large puppets.
Valentine received his B.A. from Wabash College (1990) and his M.F.A.
from Indiana University (2000). He is a member of the Society of Stage
Directors and Choreographers. His directing and acting credits include “To
Kill a Mockingbird,” “Once on This Island,” “Charley's
Aunt,” “Me & My Girl,” “Big River,” and “Six
Degrees of Separation.”
Valentine was a Minority in Arts Administration Fellow at the Cleveland
Play House and an associate instructor in the department of theatre
and drama at Indiana University. He also served as the Theatre School
Director at Studio Arena Theatre in Buffalo, and currently serves on
the show selection committee for Region III of the Kennedy Center American
College Theatre Festival. |